He Pa`ipunahele no Tenno Heika - Words and music by Keith Haugen

Click Title to Access Melody

He mele no ka Lani kêia
No ka Sumeramikoto
Ho`omalu `o ia me ke aloha
Mai ka Noho Ali`i Wailuku


Hânau `ia i ka wâ Showa
I ka `âina o ka pukana lâ
`O ka ho`oilina mô`î `o ia
Ua pi`i i ka noho ali`i


Noho Tennô Heika iâ Koukyo
Me kana Kôugôu nani nô
Haku lâua i ka waka
A ho`okani i ka waiolina kû


Ho`omalu `o ia i ka wâ Heisei
Pûlama `ia me ka ha`aheo
E kêlâ me kêia po`e Kepanî
Mai Hokkaido a Ryukyushoto


Kau `ia i ka hanohano nui
Ua Tennô ho`okahi wale nô
Ma nâ wahi like `ole a pau
`A`ohe Kôutei i ka honua


He pa`ipunahele nô kêia
He mele no ka Tennô Heika
Ke ali`i o ke aupuni pae`âina
Ke ali`i maika`i o Nîpona Japan


Ha`ina `ia mai ka puana la
No ka Sumeramikoto
Ho`omalu `o ia me ke aloha
Mai ka Noho Ali`i Wailuku




This is a song to honor the royal chief
Honoring the heavenly ruler above the clouds
He governs with love
From the Chrysanthemum Throne


Born in the Showa era
In the Land of the Rising Sun
The heir apparent
He ascended to the throne


His majesty the emperor lives in the Imperial Palace
With his lovely Empress
They compose a classical form of poetry
And he plays the cello


He rules in the era called universal peace
Cherished with pride
By all the Japanese people
From Hokkaido to Okinawa


Placed in a position of great honor
He is the only Emperor
Anywhere
There are no other emperors in the world


This is an expression of great aloha
A song for His Majesty, the Emperor
The chief of the Island nation
The benevolent chief of Japan


The story is told
Honoring the heavenly ruler
He governs with love
From the Chrysanthemum Throne


Source: Keith Haugen: hakumele@aol.com - Believed to be the first song or musicial tribute written to honor a specific Japanese emperor, Keith Haugen composed the mele after he returned from a Sept. 2007, concert performance in Japan, to honor Japan's emperor in the typical Hawaiian tradition. Released to coincide with the emperor's arrival in Hawai`i on Tuesday, July 14, 2009, Haugen wrote the melody for the new song in a pentatonic (5-tone) scale to give it a more Japanese "sound, blending `ukulele and shamisen, art forms from two genre and two distinctive ancient cultures, Hawaiian and Japanese. It was also recorded as a chant featuring Kumu Hula Kaha`i Topolinski with kakegoe, ( Noh drama vocalization) and the traditional sounds of Japanese taiko drumming (kozutsumi and odaiko) added by Taiko Master Kenny Endo. For more information see Keith Haugen's website: hakumele@aol.com